Choose movement for a reason
A slow push can reveal detail; a pan can uncover a wider environment; a locked shot can keep attention on an action. Pick a movement that supports the story instead of adding motion for decoration.
Give the camera a path and endpoint
Describe where the camera starts, how it travels, and where it settles. A simple, bounded path is easier to communicate than vague instructions such as “dynamic camera.”
✳
Try this: rewrite the brief using details that a viewer could point to in the image.
Limit simultaneous movement
If the subject and camera both move, state which movement leads. Keep secondary motion subtle so the frame remains readable and the clip is easier to review.
What to try next
Open the studio, start from a prompt example, and refine your image brief using the ideas in this guide.
Open studio ↗